For the first time since the Caine Prize for African Writing started in 2000, the award was won by a duo. Mame Bougouma Diene and Woppa Diallo, a Senegalese writing duo, have won the prestigious Caine Prize for African Writing for their short story, A Soul of Small Places.
Diallo is a lawyer and feminist activist, while Diene is a Franco-Senegalese American humanitarian, and writer. He serves as the francophone spokesperson for the African Speculative Fiction Society and contributes as a columnist to Strange Horizons, an online speculative fiction magazine.
According to African literature specialist Caroline D. Laurent, their short story echoes deeper trends in the country’s literature while picking up on the growth of horror and speculative fiction from across the continent.
Diallo’s inspiration to write a story that explores themes of violence, revenge, love, and loss was drawn from her personal experiences. Diene on the other hand often blends elements of horror, social issues, and local beliefs in his work, and “A Soul of Small Places” is an example of his preferred genres.
The annual Caine Prize Award acknowledges a short story written in English by an African Author. The award aims to introduce African literature to a broader readership. Winning this prize provides the writer the opportunity to discuss their work in the Caine Prize anthology with the prospect of gaining recognition, as well as serving as a springboard for further publication. It creates an opportunity for writers to discuss their works, engage with other writers, and meet with the press. It has helped launch the careers of its previous winners, the likes of; Helon Habila, Tope Folarin, NoViolet Bulawayo, and Namwali Serpell.
The Caine Prize includes a cash prize of U.S.$12,000 and publication of the winning work in the 2023 Caine Prize anthology. The award, presented to the best short story by an African writer in English, received a record-breaking 297 entries from 28 different countries in the current year. It aims to promote African writing to a broader audience and past winners include notable authors such as Nigerian novelists Helon Habila and Tope Folarin, Zimbabwean novelist NoViolet Bulawayo, and Zambia’s Namwali Serpell. This was also the first time a Senegalese won the prize.
A Soul of Small Places is about Woppa, a young girl who lives in the rural town of Matam in Senegal. Woppa has the task of protecting her younger sister Awa on their way to school. Indeed, girls going to school are often the prey of men who sexually assault them and force them into early marriages. Woppa and Awa’s daily experience of fear to and from school highlights the lack of response from both the authorities and citizens. Gender-based violence remains shrouded in silence, suppressed by feelings of shame and guilt. Hence the intervention of the Soukounio, a flesh-eating djinn who, in this narrative, serves as a protector and avenger of young girls. When all else fails, it is only the gods who can safeguard the girls of Matam.
A Soul of Small Places is a beautifully written short story that the Caine Prize judges have aptly described as “tender and poetic”. However, it’s also a harrowing and infuriating tale. The power of literature to focus on individuals and their personal experiences lends a human face to an unresolved social issue. The author’s skillful use of suspense and horror to convey this idea leaves a profound impact on the reader, with the hope of prompting them to consider the issue and take action.
Diallo and Diene’s story is deeply rooted in its local setting. Matam is described as the second hottest place in Senegal and the heat is palpable in the description of the landscape, where nature is both menacing and protective. References to different gods and spirits also highlight the environment in which Woppa and her family live. However, this short story can also resonate with the fears experienced by young girls and women globally. The anxiety of girls walking home after sunset is something many women have experienced. A Soul of Small Places portrays experiences that, unfortunately, are all too universal. The lack of adequate responses also resonates, regardless of where one lives.
Recently, Senegalese fiction has engaged with important issues in Senegal, whether about homophobia – as seen in Mohamed Mbougar Sarr’s De Purs Hommes (Pure Men) – or gender-based sexual violence, as seen in A Soul of Small Places.
Also worth noting is that Diallo and Diene wrote their story in English, not French, the language of Senegal’s former colonizers. The choice to write in English works to dismantle the neocolonial use of languages based on one’s origin and the colonial past of one’s country. In this sense, English appears more as a global language. The Kiswahili Prize for African Literature, where authors write in African languages, complements the Caine Prize. The fact that languages are being redistributed points to the dynamism of African literature, challenging the use of the languages of former colonizers in different ways.
Senegalese literature plays a vital role in encouraging people to read, reflect upon, and engage with significant matters in the country. Literature serves as a tool for recognition, understanding, and action. A Soul of Small Places is a beautiful, terrifying example of this.